Camelia Ramos Zamora y 

José Mancio Gutiérrez

Calle Guerrero s/n, Tienda 

Calle Galeana s/n, Taller, Malinalco

714 147 1361 store, 722 156 3636 WhatsApp

Rebozos

Covid-19 Sale

DISCLAIMER:

Please read the disclaimer below carefully before using the Feria Maestros del Arte (Feria)

website for COVID-19 SALES.

 DESCARGO DE RESPONSIBILIDAD:

Por favor, lea atentamente el siguiente descargo de responsabilidad antes de usar la

página web de la Feria Maestros del Arte para VENTAS DE COVID-19.

To enlarge, click on the photo/descriptions / Para ampliar, haga clic en la foto/descripciones

 

Camelia Ramos Zamora's father, Don Isaac Ramos Padilla passed away in 2010. This true maestro of Mexican weaving will be missed by all who have marveled over the years at his unbelievable creations. Camelia and her husband José, have given their lives to continuing the work of Don Isaac — his story is their story.

Camelia and José live and work in the pueblo of Malinalco, one of Mexico's most important weaving centers for elaborate and elegant rebozos. What sets the rebozos from Malinalco, Mexico apart from shawls found in other countries is the very fine work of the endings called flecos, puntas or rapacejos.

The finished rebozo is removed from the loom with a few feet of threads hanging from each end. The threads, 1,800 to over 5,000, are imaginatively and intricately worked into knotted patterns according to ancient designs. The most typical patterns are those with dolls, flowers, ducks, deer, or geometric designs. The work is almost exclusively done by women known as empuntadoras, and can take weeks or even months to complete.

The final touch comes with the knot work that makes the fringe of the rebozo. The loose threads on the ends of the woven piece are tied and knotted into intricate designs. Camelia then lovingly folds the rebozo when it is complete and places it in a hand-woven basket that is presented to the buyer of the rebozo.

There are only a handful of rebozo weavers left who use the ancient back-strap loom called a telar de cintura or telar de otate. Since they can only make one rebozo at a time, the work is costly and time consuming. But, it allows for originality in patterns and your rebozo is always one-of-a-kind when woven this way. The Ramos' use ancient designs and weave only on a pre-Hispanic back-strap loom. Their art has been carried on through five generations.

Many of the Ramos' rebozos are done in a technique called ikat - a dying technique that allows the warp to be selectively colored before it is woven. A shrinking market and competition with industrially woven cloth has forced many weavers to stop their production of ikat rebozos as they are very time-consuming and therefore, the prices are higher than other rebozos.

The ikat process (see the series of photos below): The weaver pulls up several cotton threads of the warp, then taking thread, he/she winds the thread around the warp (about 1/4" to 1/2"). This is done over and over again in different locations of the warp until the entire warp has been "knotted" and is ready for dying.

After dying, the knots are removed, leaving undyed white areas. Several different ikat patterns are used. The location of the knots and the position of the warp on the loom determines the pattern.

The warp is then soaked in water for 20 minutes, after which, the water is wrung out. The damp warp is dyed by repeatedly submerging it in a hot dye bath for 20 minutes. Excess dye is removed by twisting a stick that has been inserted in the end of the warp. The ikat-dyed warp is stretched out to dry. Ikat threads alternate with solid threads on the loom. The warp must be frequently adjusted to assure that the ikat-dyed threads form the correct motif as it is being woven.

DISCLAIMER:

The Feria assumes no responsibility for any sale made through the use of our website. Transactions should occur between the buyer and the artisan directly. In the event that a language issue arises, where buyer and/or the artisan need assistance, the Feria reserves the right to agree to assist in order to facilitate a sale. Information posted on Feria’s website has been provided by artisans and has been verified to the best of our abilities, however, we cannot guarantee that there are no mistakes or errors. When dealing with artisans, please be patient. Also, we recommend you use WhatsApp texting — this will expedite the sale’s process greatly as most artisans do not use email.

Buyers: We would appreciate feedback regarding your experience purchasing through the use of our website. Please text 331 098 4850 or email feriamaestros@gmail.com.

DESCARGO DE RESPONSIBILIDAD:

La Feria no asume ninguna responsabilidad por cualquier venta realizada a través del uso de nuestro sitio web. Las transacciones deben realizarse entre el comprador y el artesano directamente. En el caso de que surja un problema de idioma, en el que el comprador y/o el artesano necesiten ayuda, la Feria se reserva el derecho de acordar la asistencia para facilitar la venta. La información publicada en el sitio web de la Feria ha sido proporcionada por los artesanos y ha sido verificada de la mejor manera posible, sin embargo, no podemos garantizar que no haya errores o equivocaciones. Cuando se trata de artesanos, por favor, tenga paciencia. Además, le recomendamos que utilice los mensajes de texto de WhatsApp, ya que esto agilizará enormemente el proceso de la venta, ya que la mayoría de los artesanos no utilizan el correo electrónico.

 

Compradores: Agradeceríamos recibir comentarios sobre su experiencia de compra a través del uso de nuestra página web. Por favor, envíen un mensaje de texto al 331 098 4850 o un correo electrónico a feriamaestros@gmail.com.

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ABOUT US

The Feria Maestros del Arte is a "heart show", not just another "art show". The Feria is a non-profit organization, both in Mexico and the U.S. that holds an exhibition of Mexican folk art yearly in November in Chapala, Jalisco, Mexico.

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